After the artist lost their life, the Dalzell Hatfield Gallery in Los Angeles continued to showcase his paintings and drawings. Alfredo Ramos Martínez died unexpectedly at the age of 73 on November 8, 1946, in Los Angeles. Louis Stern High-quality Arts started a public association with Mexican modernist Alfredo Ramos Martinez in 1991 with a retrospective exhibition of works by the artist, who lived in Los Angeles from 1929 till his demise in 1946. In collaboration with his daughter, Maria Martinez Bolster, and artwork historian Margarita Nieto, the gallery subsequently established the Alfredo Ramos Martinez Analysis Challenge to protect the artist’s legacy and to advance the understanding and appreciation of the artist whom many have deemed the father of Mexican Modern Artwork. The Research Mission published a monograph, Alfredo Ramos Martinez &Modernismo, by Margarita Nieto and Louis Stern in 2009 and is presently compiling a catalog raisonné of the artist’s paintings and frescos.
In 1991, Louis Stern introduced the first major retrospective of the artist’s work since his death. Until her death in 1985, she was salon mats the first champion of her late husband’s work. These two exhibitions became the cornerstones of a re-examination of Ramos Martínezs work and subsequent improvement of a secondary marketplace for these works. As with the other main Mexican modernists, indigenous peoples were the principal subjects within the mature works of Ramos Martínez. One other fresco, one among Ramos Martínez’s most vital works, the La Guelaguetza, which was named after the historical Oaxacan celebration of the Earths abundance, was commissioned in 1933 by screenwriter Jo Swerling for his Bly Hills home. Maria Sodi de Ramos Martínez, the artist’s widow, saw that Ramos Martínez was included in numerous gallery exhibitions.
Along with his mastery of all conventional media, including drawing, printmaking, watercolor, and easel painting, Ramos Martínez was a skilled muralist who excelled in the technically difficult art of conventional fresco painting. Though numerous of his murals had been destroyed, together with those on the Chapman Park Resort in Los Angeles adjoining the famous Brown Derby Restaurant and the normal College for Teachers Escuela Regular in Mexico City, several important examples have survived. He was buried at Holy Cross Cemetery in Culver Metropolis, California. These embody the Chapel of the Santa Barbara Cemetery 1934; the La Avenida Café, Coronado, California, 1938, later restored and moved to the Coronado Public Library; and the unfinished fresco undertaking, The Flower Distributors in the Margaret Fowler Backyard at Scripps College, Claremont, California 1945. The Scripps mural was commissioned by the College at the urging of Millard Sheets, the much cherished California artist and long-time admirer of Ramos Martínez.